Family Portraits in Boise with photographer Ashley Thalman
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PORTRAITS
Family Portraits in Boise with photographer Ashley Thalman
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When’s the best time for Senior Portraits? Right now. No matter the month or time of year we can create a beautiful gallery of sentimental images.
Above all choose a time (both date AND time of day) that’s most stress-free with plenty of time both decompression time before the session and after it. My Senior Sessions aren’t timed but end naturally between 2-3 hours with extra time for breaks, travel between locations, etc. This gives us plenty of time to create and connect.
Seasonal considerations: April and May *might offer warmer weather (emphasis on “might”) BUT one thing is for sure: the final months of the school year are stacked with end-of-year activities. That combined with unpredictable spring weather…
The summer/fall before or after graduation offers flexibility and reliable light and weather without the stresses of year-end busy-ness.
Already graduated? Graduating next year? No problem. There’s no rules, let alone rules about graduation pics needing to be done before or after they “walk”, graduate, move out, etc. Now is always the best time. Want to send a graduation announcement- send them anytime!
Read MoreSenior portraits are an opportunity to thoughtfully document your child’s home life, hobbies, and personality, as the teenhood chapter ends and early adulthood begins.
Captured on high-quality, detail rich medium format film, I offer custom Senior Portraits for art-loving families who crave intentional, personality-filled, heirloom-quality portraiture.
My slow, laid back process results in dynamic, feels-like-them portraits, candid moments, and close-up detail features, of the most important places, passion, and details of your senior’s life.
My most popular add-on is the Mobile Studio. Adding a timeless studio feel to your gallery I’ll bring the studio to you with hand painted canvas from Ultraviolet Backdrops.
Once we got Z’s film back we designed the family’s favorite portraits in a 10x10 storyboarded Archival Book bound in a taupe linen bookcloth. All curated print products are handcrafted, printed in the USA using sustainable practices, include customization, and are lifetime guaranteed.
Film notes:
Film Kodak Gold 200 box rated, no push:: Ektar 100 box rated, no push
Garage studio portraits: Kodak Gold 200- box rated. No push.
Backdrop: Ultraviolet Backdrops “Seamless White” backdrop.
Camera: Pentax 645n with a 75 mm lens.
Film Lab, Developing and Scanning: The Find Lab in Salt Lake City. These are large Frontier scans with borders.
Me, 2026 with my garden strawberries
Dad, 2022 with his garden tomato, from our last photo shoot together.
One of those shoots it’s gonna be the last. I knew it, I know it now. Death speaks its inevitability acrossthroughbetweenwithin and from aliveness. Can’t help but photograph the mundane, can’t help but let ideas be wild and alive.
I asked my arthritic father to lay face down on the grass like a kid, like a subject, like an actor in the way I saw him, like a return, like a prophecy, ground bound, a ghost. And now I write from his absence.
Film Notes
Film Strawberry: Kodak Gold 200 medium format film box rated, no push | Tomato: Portra 160 medium format film
Backdrop: Ultraviolet Backdrops “World Forest” muslin backdrop.
Camera: Strawberry: Pentax 645n with a 75 mm lens | Tomato: Bronica 645
Film Lab, Developing and Scanning: The Find Lab in Salt Lake City
“I’m so angry right now.”
Read MoreMonths later she’d muse about what it meant to be, or not to be, a ghost.
Read MoreOf course it wouldn’t be me photographing Jon without Jon photographing me.
And it wouldn’t be garage portraits without Ultraviolet.
Jonathan Canlas with his 3 youngest. Photographed in Lehi Utah on Jon’s 50th birthday under a full October moon.
Read MoreThat day, more than anything, I wanted to shoot fast.
Read MoreIf my friend were on the fence about hiring Ash I would tell them this: Ash makes it SO easy. Just do it because you’re not going to get a better experience creating art. She’s amazing.
Read MoreThere’s something portal about the feeling of, “we’re done”. Something like a venting of the pressure of initial ideas or expectations that move out the obvious making way for the less obvious, the flow. Like everything up to that point was summoning what we’re actually there to do.
Read MoreOne Sunday afternoon the river came to us.
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Jon gifted me a box of 10 rolls of expired Delta 3200 film for my birthday and I had a feeling I’d like it…
With a few minutes left in our session and a roll already shot I asked Janessa if I could shoot something a bit more experimental. Maybe nothing would turn out but maybe it would…
When I shoot film, I shoot more.
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I’ve been craving something a bit more nimble, more responsive than my so-slow-they-forget-me Rolleiflex, something not square, something more intuitive…
Read More…and the way the light hits her like it hits water is just one of them.
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We made our way up to Utah’s Snowbasin on opening day when the mountains were transformed to one of Sadie’s imagined snowy scenes and the location and togetherness made for a laid-back family portrait session adventure on film
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Polaroid magic from Seen with Stacie. The scene- new moon Aquarius in January’s freeze. The elements- wood, water, air, fire, metal, women, laughter. “Tell me, my love, do you feel right? Do you feel charmed?”
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