
One More Roll: Expired Delta 3200 Film
Jon gifted me a box of 10 rolls of expired Delta 3200 film for my birthday and I had a feeling I’d like it…
With a few minutes left in our session and a roll already shot I asked Janessa if I could shoot something a bit more experimental. Maybe nothing would turn out but maybe it would…
F22, Film as the Massage, and Images from "Lemme See" with Sadie Joy Muhlestein
When I shoot film, I shoot more.
Read MorePentax 645N with Alex Nibley
I’ve been craving something a bit more nimble, more responsive than my so-slow-they-forget-me Rolleiflex, something not square, something more intuitive…
Read MoreFound Yin Yang
A collection of yin yang nature iterations available for print purchase.
Read MoreHold Your Own: Fav Film School Road Trip Cuba Pics by Jonathan Canlas
Aesthetic pics yes, but also the ascetic micro of letting oneself love, rich and dripping like lobster tails in oily red sauce and yucca cooked over pork fat fires, vegetarians salivating. To speak truth through pyramids, to watch and be watched, to let the tobacco bury you- to sing and dance and wear red.
Read MoreRafael San Juan's Primavera in Havana, Cuba
To purchase prints of these images click HERE
I was obsessed with her, craning my neck as we flew by her. This is “Primavera” by Raphael San Juan. It’s 26’ tall and was made of reclaimed found metal as a tribute to the sensuality and strength of Cuban women.
Film Notes:
During my first 2022 visit to Havana with Jon Canlas and The Film School Road Trip Matthew and I shot a lot of film. Having shot digital images almost exclusively whilst being intrigued and intimidated by film, our trip offered a deep dive into film. 3 days of shooting in the rich visual landscape of Havana and Vinales along with Jon’s break-neck shooting pace offered an opportunity in an inspiring, stimulating set and setting to experiment with film, settings, cameras, lenses, etc.
In post-processing I realized my Bronica had a focusing problem leading to many many near-misses where in-camera I’d seen sharp, beautifully composed images. Painful learning costs are the way and actually give these fresh, sharp, beauties of this sculpture a BINGO precious feel.
Film: Kodak Gold box rated pushed 1 stop in developing
Development & scanning: Standard Scans via The Find Lab on the Noritsu scanner
Free Treasure with Summer Murdock
…and the way the light hits her like it hits water is just one of them.
Read MoreUtah Family Portrait Adventure on Film & Review
We made our way up to Utah’s Snowbasin on opening day when the mountains were transformed to one of Sadie’s imagined snowy scenes and the location and togetherness made for a laid-back family portrait session adventure on film
Read MoreSeen Session Polaroids
Polaroid magic from Seen with Stacie. The scene- new moon Aquarius in January’s freeze. The elements- wood, water, air, fire, metal, women, laughter. “Tell me, my love, do you feel right? Do you feel charmed?”
Read MoreSelf Portraits with the Rolleiflex Medium Format Camera
And also the Rolleiflex can be a pain in the ass of immediacy/fluidity. Yeah yeah not for everyone. Jon Canlas shoots this like a goddamned disposable camera in the 90s. But for me, its confounding nuances are a kind of entity that sets me on edge in flow with an obvious presence whispering through the scene as I fumble, grapple, focus, and coax its bassakward screen to get my composition right.
Read MoreThe Force That Through the Green Fuse Drives the Flower
The force that through the green fuse drives the flower
Drives my green age; that blasts the roots of trees
Is my destroyer.
And I am dumb to tell the crooked rose
My youth is bent by the same wintry fever.
The force that drives the water through the rocks
Drives my red blood; that dries the mouthing streams
Turns mine to wax.
And I am dumb to mouth unto my veins
How at the mountain spring the same mouth sucks.
The hand that whirls the water in the pool
Stirs the quicksand; that ropes the blowing wind
Hauls my shroud sail.
And I am dumb to tell the hanging man
How of my clay is made the hangman's lime.
The lips of time leech to the fountain head;
Love drips and gathers, but the fallen blood
Shall calm her sores.
And I am dumb to tell a weather's wind
How time has ticked a heaven round the stars.
And I am dumb to tell the lover's tomb
How at my sheet goes the same crooked worm.
-Dylan Thomas
Medium Format + Fog
Inversion polluted Salt Lake offered surrealist inspiration for medium format portraits.
Read MoreGygi on Film
Snowy drive, hot drinks, a winter walk to the meadow with Gygi. A lil talking, a lil crying, a little screaming in the trees.
These last few years Gygi and I have both lost our parents, connected already, we’ve seen each other deeper as we’ve stumbled at the threshhold of death and experienced the strange rebirth that has come in its wake. Her deep presence. Her deep love of life. The way she inspires me to be. I love you Gygi.
Film notes:
Very foggy, snowy day- first snow. Shot rated at 200 pushed a stop on the Rolleiflex 6001.
Film notes:
Camera: Rolleiflex 6001 w 80 mm lens
Film: Portra 800 rated at 200 pushed 1 stop in development. So that means the ISO is set to 200 and then in development you do this THIS which adds a dollar to the cost. WORTH IT.
Lab: Standard scans at The Find Lab Scan with borders on Frontier
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Dancers Haleigh Larmer and Megan O'Brien at Utah's Little Sahara State Park
Modern dancers and choreographer team Haleigh Larmer & Megan O’Brien at Little Sahara State Park, Utah
Read MoreStudio Portraits of Abstract Artist Emily Fox King
“Working with Ashley validates me as a professional and helps me present myself as a serious artist and entrepreneur.”- Emily Fox King
Read MoreSeen with Lacey Rogers
I offer Seen as a new portrayal. A somatic-focused way of showing up and showing, a body-lead, feels>looks witnessing experience resulting in photographs as reflections, as oracles, and symbols of what is and will never be again.
Read MoreSeen Outside: Errin in the Aspens
“I loved the freedom of letting inspiration strike—of choosing the thing that felt right and not that was pre-determined. I loved the deep safety I felt while being completely exposed.
I am stunned and thrilled and think they are some of the most true images I’ve ever seen of myself.”
Read MoreFrom Clay to Form: Behind the Scenes of Joel Church's 'Uenus'
A hours long experience modeling begins with excited nerves and a lump of shapeless clay that becomes a figure in likeness that tells nothing of the nerves, sore boredom, and fascination with process while the experience itself foreshadows what will last (legacy and metal) and who won’t (flesh, thoughts, bone).
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